{"id":28199,"date":"2020-10-29T09:08:25","date_gmt":"2020-10-29T14:08:25","guid":{"rendered":"https:\/\/sites.imsa.edu\/acronym\/?p=28199"},"modified":"2021-09-21T12:46:51","modified_gmt":"2021-09-21T17:46:51","slug":"defining-the-horror-genre","status":"publish","type":"post","link":"https:\/\/sites.imsa.edu\/acronym\/2020\/10\/29\/defining-the-horror-genre\/","title":{"rendered":"Defining the Horror Genre"},"content":{"rendered":"

As Halloween cr<\/em><\/span>eeps<\/span><\/i> around the corner, many people watch horror movies around this time to get in the spooky spirit. As a genre, horror movies follow a set of classic conventions, while others have strayed from the typical definition. This article will focus on definitions of the horror genre was, experimentation in this genre, and how horror is relevant to modern life.<\/span><\/p>\n

What is a horror movie? <\/b><\/p>\n

Each genre has unique characteristics that allow audiences to distinguish between different genres. For example, most people can differentiate between <\/span>The Exorcist<\/i> (1973) and <\/span>The Sound of Music <\/span><\/i>(1965). Creators of horror movies aim to evoke certain emotions in audiences, including fear, shock, disgust, etc. All general conventions of a horror movie are shaped to create and manipulate this emotional response. <\/span><\/p>\n

To begin, the horror genre typically has a monster, who is labeled as the antagonist. In order to affect the audience, this monster must be odd and not fit one’s perception of reality. Typically, a monster might be quite large, as seen in <\/span>Godzilla <\/span><\/i>(2014). A monster may be inhuman, such as an alien, or they may walk the line between living and dead, such as a demons or ghosts. This role has also been assumed by a transformed human, such as in <\/span>Dr. Jekyll and Mr. Hyde <\/span><\/i>(1941). Overall, this monster is meant to be unfamiliar to its audience, prompting the viewer to be afraid and intrigued by the unknown. <\/span><\/p>\n

Besides creating a terrifying character, filmmakers must build a film that emphasizes the horror. A monster is typically rejected or feared by other characters in the movie; the other characters’ reactions will signal to the audience whether to be afraid or not. For example, <\/span>E.T.<\/span><\/i> (1982) is not a horror movie, as the other characters react to E.T. in a friendly manner, signaling to the audience that they are meant to react the same way. The plot of a horror movie commonly includes the characters discovering this monster, usually through an attack or death, and the movie follows their path to understanding and defeating the monster. Filmmakers also employ makeup and eerie settings to display the supernatural nature of the antagonist. <\/span><\/p>\n

Experimentation in the Genre<\/b><\/p>\n

In any genre, it\u2019s expected that filmmakers will push the boundaries of what we consider the traditional definition to be. The horror genre is no exception. As the industry popularized, variation between horror movies increased. Here are some examples of horror experimentation:<\/span><\/p>\n

Genre Mixing- <\/b>Filmmakers have mixed horror films with other genres, creating hybrids such as horror comedy, horror sci-fi, horror musicals, and more. The conventions of the horror genre are mixed with the conventions of the other genres to create a mixed effect for the audience. Comedies, such as the <\/span>Scary Movie <\/span><\/i>franchise, aim to make the audience laugh or mock horror movies. Horror sci-fi movies typically consist of machinery or scientific processes that go wrong and elicit fear. <\/span><\/p>\n

Found Footage- <\/b>The most notorious examples of found footage horror are <\/span>The Blair Witch Project<\/span><\/i> (1999) and the <\/span>Paranormal Activity<\/span><\/i> franchise. In this type of horror, the audience views the movie through a series of recordings, as opposed to traditional camera shots. The purpose of this type of filming is to make the audience feel as if the footage is actually real, as opposed to a full-fledged movie production. Audiences react to the movie differently than traditional horror, because they are meant to believe the events are real. <\/span><\/p>\n

Character Hindrances- <\/b>At points, the filmmakers might decide to give characters a certain hindrance throughout the movie. Examples include <\/span>A Quiet Place <\/span><\/i>(2018) in which the characters must remain silent to avoid lurking monsters, <\/span>Hush <\/span><\/i>(2016) in which the deaf protagonist has to survive a home invasion, and <\/span>Birdbox<\/span><\/i> (2018) in which the characters must blindfold themselves to avoid looking at a deadly entity. These hindrances are employed to bring suspense and frustration to the audience. <\/span><\/p>\n

How Does Horror Reflect Society? <\/b><\/p>\n

Scholars have attempted to analyze how horror movies reflect the intention of society. A few have hypothesized that horror stems from people\u2019s uncertainty of their world. Filmmakers and viewers may share the common notion that the world isn\u2019t as simple as it may seem and there are frightening aspects in both horror and real life. Even though a demon is not expected to be real, society might be afraid of a demon in their own world, which may differ in forms throughout time. For example, scholars suggested that the 1970-1980s family horror movies, such as <\/span>Poltergeist <\/span><\/i>(1982), emphasized the breakup of a family. <\/span><\/p>\n

So, as you prepare to celebrate Halloween this year, consider exploring the horror genre with your friends and family. You might be surprised by the creativity in these spooky movies!<\/p>\n

 <\/p>\n

Source : Bordwell, David, et al. Film Art: An Introduction. 12th ed., McGraw-Hill Education, 2020. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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