{"id":29637,"date":"2021-03-23T11:17:35","date_gmt":"2021-03-23T16:17:35","guid":{"rendered":"https:\/\/sites.imsa.edu\/acronym\/?p=29637"},"modified":"2021-09-21T12:45:13","modified_gmt":"2021-09-21T17:45:13","slug":"celebrating-women-in-film","status":"publish","type":"post","link":"https:\/\/sites.imsa.edu\/acronym\/2021\/03\/23\/celebrating-women-in-film\/","title":{"rendered":"Celebrating Women in Film"},"content":{"rendered":"

In observance of Women\u2019s History Month, The Acronym<\/em> has decided to highlight prominent women in the film industry. According to<\/span> The Celluloid Ceiling<\/span><\/a>, of the top 100 grossing films in 2019, women made up only 20% of directors, writers, producers, editors, and cinematographers<\/span>. While many go unnoticed, women have made great achievements in the film industry. Below are overviews of women who have made significant contributions to modern film. <\/span><\/p>\n

1. Kathryn Bigelow<\/a><\/span> (1951 – Present)<\/span><\/p>\n

\"\"<\/a>

Source: Bio Wikis<\/p><\/div>\n

Kathryn Bigelow is a film director, producer, and screenwriter. Listed as one of <\/span>Time<\/span><\/i>\u2019s<\/span><\/a> 2010 100 most influential people, Bigelow is one of the most influential film directors. Following <\/span>The Hurt Locker<\/span><\/i>, she won the Academy Award for Best Director, becoming the first and only woman to achieve that award. Her work typically focuses on protagonists comforting inner struggles.<\/span><\/p>\n

Famous Works:<\/b> The Hurt Locker <\/span><\/i>(2008), <\/span>Zero Dark Thirty<\/span><\/i> (2012), <\/span>Near Dark Director <\/span><\/i>(1987)<\/span><\/p>\n

Awards:<\/b> Academy Award for Best Director (2010), Academy Award for Best Picture (2010), Saturn Award for Best Director (1996), and <\/span>more<\/span><\/a><\/p>\n

 <\/p>\n

2. Ava DuVernay<\/span><\/a> (1972 – Present)<\/span><\/p>\n

\"\"<\/a>

Source: Entertainment Weekly<\/p><\/div>\n

Ava DuVernay is a film director, producer, writer, marketer, and distributor. DuVernay became the first African-American woman to win a directing award at the Sundance Film Festival. Additionally, she was nominated for a Golden Globe Award for Best Director and Academy Award for Best Picture, also becoming the first black female director to be nominated for both awards. Lots of her films have deep political meanings, stemming from her initial careers in both journalism and public relations. <\/span><\/p>\n

Famous Works: <\/b>Selma <\/span><\/i>(2014), <\/span>13th<\/span><\/i> (2016), <\/span>A Wrinkle in Time<\/span><\/i> (2018)<\/span><\/p>\n

Awards:<\/b> BAFTA Award for Best Documentary (2017), Gotham Independent Film Tribute Award (2019), and <\/span>more<\/span><\/a><\/p>\n

 <\/p>\n

3. Mary Pickford<\/span><\/a> (1892-1979)<\/span><\/p>\n

\"\"<\/a>

Source: Biography<\/p><\/div>\n

Mary Pickford was a film actress and producer. Having a very successful film career, Pickford was known as<\/span> \u201cAmerica\u2019s sweetheart\u201d<\/span><\/a> of the silent film industry. Along with Douglas Fairbanks, D.W. Griffith, and Charlie Chaplin, she became one of the cofounders of <\/span>United Artists<\/span><\/a>, a digital production company in 1919. Additionally, she founded the Society of Independent Motion Picture Producers in 1941. Besides being a very talented actress, she also was an early proponent of film preservation and advocated for movie museums. <\/span><\/p>\n

Famous Works: <\/b>Coquette<\/span><\/i> (1929), <\/span>Secrets<\/span><\/i> (1933)<\/span><\/p>\n

Awards: <\/b>Academy Honorary Award (1976), Academy Award for Best Actress in a Leading Role (1930)<\/span><\/p>\n

 <\/p>\n

4. Sherry Lansing<\/span><\/a> (1944 – Present)<\/span><\/p>\n

\"\"<\/a>

Source: Chicago Splash<\/p><\/div>\n

Sherry Lansing is an actress and film studio executive. Lansing is the<\/span> former CEO<\/span><\/a> and Chairman of Paramount Pictures and was at one time the president of production at 20th Century Fox. She was the first female to ever head a Hollywood movie studio, and was also the first female studio executive to receive a star on the Hollywood Walk of Fame. <\/span><\/p>\n

Famous Works: <\/b>Fatal Attraction (1987), Rio Lobo (1970)<\/span><\/p>\n

Awards: <\/b>Jean Hersholt Humanitarian Award (2007), Glamour Lifetime Achievement Award (2000), National Women\u2019s Hall of Fame (inducted 2017)<\/span><\/p>\n

 <\/p>\n

5. Euzhan Palcy <\/span><\/a>(1958 – Present)<\/span><\/p>\n

\"\"<\/a>

Source: The Guardian<\/p><\/div>\n

Euzhan Palcy is a film director, producer, and writer. She became the first African-American woman to direct a <\/span>major Hollywood film<\/span><\/a> with <\/span>A Dry White Season<\/span><\/i> in 1989. She is also the first black director to lead an actor to an Oscar nomination and to win a Cesar award. Her work commonly explores the themes of gender, race, and politics. <\/span><\/p>\n

Famous Works: <\/b>A Dry White Season<\/span><\/i> (1989), <\/span>Sugar Cane Alley<\/span><\/i> (1983), <\/span>Ruby Bridges <\/span><\/i>(1998)<\/span><\/p>\n

Awards: <\/b>Cesar Award for Best First Feature Film (1984), Guggenheim Fellowship for Creative Arts (1994), Silver Lion – Best First Work (1983)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

In observance of Women\u2019s History Month, The Acronym has decided to highlight prominent women in the film industry. According to The Celluloid Ceiling, of the…<\/p>\n","protected":false},"author":453,"featured_media":29645,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1020,3666],"tags":[3608,1409,2536,3609,1547],"coauthors":[3167],"class_list":["post-29637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ae","category-film","tag-directors","tag-film","tag-history","tag-producers","tag-women"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts\/29637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/users\/453"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/comments?post=29637"}],"version-history":[{"count":8,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts\/29637\/revisions"}],"predecessor-version":[{"id":29675,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts\/29637\/revisions\/29675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/media\/29645"}],"wp:attachment":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/media?parent=29637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/categories?post=29637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/tags?post=29637"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/coauthors?post=29637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}