{"id":39464,"date":"2024-05-09T10:54:06","date_gmt":"2024-05-09T15:54:06","guid":{"rendered":"https:\/\/sites.imsa.edu\/acronym\/?p=39464"},"modified":"2024-05-09T10:54:06","modified_gmt":"2024-05-09T15:54:06","slug":"the-good-and-bad-of-asante-2024","status":"publish","type":"post","link":"https:\/\/sites.imsa.edu\/acronym\/2024\/05\/09\/the-good-and-bad-of-asante-2024\/","title":{"rendered":"The Good and Bad of Asante 2024"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Hosted by Black Student Union (BSU), the last culture show of the 2024-25 year, Asante, certainly didn\u2019t disappoint. With dancers, organizers, and helpers giving it their all, BSU put on a show fitting to end the year off. So without further ado, let\u2019s get into my thoughts on this year\u2019s Asante!<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><b>The Good<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400\">There\u2019s a lot of positive things I have to say about Asante, but if I had to sum it all up in one word, it\u2019d be VIBES. The excitement in the auditorium throughout the show was palpable, and all the cheers from the audience only added to the room&#8217;s energy. It felt more like a party than a show, and in a good way.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400\">All the performances were amazing, but just to shout out a few of my favorites, I really liked Jordan Henry (\u201825) and Dashiell Leigh\u2019s (\u201824) duet near the beginning, reminiscent of 20th century bar piano. I was also a huge fan of Junior, as Anjali Samal (\u201825) and Joaquin Belonio (\u201825) did a great job with their dynamic choreography. African and Step also had amazing choreos and brought so much infectious energy with their performances, it was amazing to see. I also have to give my flowers to Modern, as the best of the best delivered once again. Although they\u2019ve performed at every culture show, they\u2019ve seemingly only gotten better with time, providing a fitting conclusion to Asante.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400\">I also wanna give props to all the unique performances I saw. I thought the Jazz Band Intro was a really good idea to start out the show. I also thought the way in which the performers of Majorette started out in the audience was a really interesting twist. Fashion show was great as well, providing a fun and much needed break in the middle of the production. Even something as simple as the back curtain was used a lot more in this culture show than in ones I\u2019ve seen previously.<\/span><\/p>\n<p><span style=\"text-decoration: underline\"><b>The Bad<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400\">I often struggle with talking about \u201cThe Bad\u201d of any culture show. It\u2019s not necessarily that I don\u2019t have things I thought could have been better, but I recognize that these amazing events are almost entirely student-run productions. Expecting perfection is unreasonable, and I fear coming across as though I\u2019m calling out any student or group of them. However, at the same time, I do believe in the value of feedback and improvement, which is why I choose to include this section in all of my culture show reviews. I just want readers to know that I point things out not to be \u201cmean\u201d, but to genuinely try and give feedback where I think things could be improved. I love culture shows, so any criticism I give is purely to try and make these amazing shows even better.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400\">And with that caveat out of the way, I do think there were some issues, especially in production this time around. Most of the MCing during the show didn\u2019t really land with me, they usually don\u2019t anyway, but this time it felt mostly because the audio was either too loud or not working a lot of the time. And my biggest gripe here is with the live streamed recording. While writing this article, there were a lot of moments that I wanted to look back on to refresh my memory, but I quickly realized that the quality of the live stream simply wasn\u2019t up to par. To start, there\u2019s no audio of the show. This means that none of the singing, MCing, or crowd cheering was picked up. The screen would also black out occasionally for many seconds at a time for seemingly no reason. Additionally, for some of the dances, there was simply no music overlaid meaning it looked like they were dancing to nothing. Even for dances where music was overlaid, I\u2019m relatively certain that at least some of the songs were just completely different from the ones being danced to on stage. But, like I said before, I really do understand that the technical work involved in these productions is complicated, so take what I say simply as feedback from someone who just wants to see culture shows improved.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400\">And that does it! Although there were some technical hiccups, Asante was a blast to attend this year! I continue to be impressed by just how much dedication and effort IMSA students put into these shows, and they remain a highlight of my time here at IMSA. I have no doubts that the rising seniors will continue putting on strong culture shows next year. I know I\u2019ll definitely be there to see it!&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hosted by Black Student Union (BSU), the last culture show of the 2024-25 year, Asante, certainly didn\u2019t disappoint. With dancers, organizers, and helpers giving it&#8230;<\/p>\n","protected":false},"author":814,"featured_media":39465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1020,12],"tags":[4389,3015,2820,4390],"coauthors":[3971],"class_list":["post-39464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ae","category-opinions","tag-asante","tag-bsu","tag-culture-shows","tag-reviews"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts\/39464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/users\/814"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/comments?post=39464"}],"version-history":[{"count":4,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts\/39464\/revisions"}],"predecessor-version":[{"id":39626,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/posts\/39464\/revisions\/39626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/media\/39465"}],"wp:attachment":[{"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/media?parent=39464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/categories?post=39464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/tags?post=39464"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sites.imsa.edu\/acronym\/wp-json\/wp\/v2\/coauthors?post=39464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}